The House of Bernarda Alba and A Dolls House Essay -- Feminism

Federico Garcia Lorcas The House of Bernarda Alba and Henrik Ibsens A Dolls House both own against the confinement of women of their days. Although the Houses atomic number 18 set differently in Spain of 20th snow and Norway of 19th century respectively, both the plays relate in illuminating their respective female protagonists, Adela and Nora, as they eventually develop a sense of individuality and self-expression, emerging as relinquish individuals from repression. The authors attempts to do so allow the audience to gain an insight into the social norms that each protagonist was pitted against. This heightens the tension as the action develops.Both Adela and Nora are inherently individualistic, and their innate nature is shown especially when they covertly display defiance in occasions of high social expectations. Despite Bernardas declaration of a long period of mourning and her orders to stay within the walls of her house and to wear only black, Adela cheerfully wears a colou rful dress of zealous green and goes step up of the house, disobeying Bernarda, to look for what is hers, what belongs to her Pepe el Romano. In A Dolls House, while Mrs Linde asserts that a wife cant borrow without her husbands permission , Nora, whom her husband Torvald calls his independent little creature, leaks out her insubordinate action of borrowing. She even dares to forge her fathers signature, but more importantly, she individually decides for herself why she has to forge to save her husbands life on her own.The pressure to comply with the traditional societal conventions induces the central characters of both the plays to masquerade. Appearing as an aboveboard poor little thing to Magdalena, Adela confidently thinks of... ...e whole town against me, branding me with their fiery fingers, persecuted by people who claim to be decent, and right in precedent of them I will put on a crown of thorns, like a mistress of a married man The free flow of rowing from Nora s and Adelas hearts triggers the audience to think about the power of transformation.Despite their initial confinement and dishonesty, both Nora and Adela are courageous and passionate, possessing the strength to follow up on freedom they are risk-takers who challenge circumstances notwithstanding the uncertainties of future. Their choices of self-expression and freedom through abandonment and death respectively and the characters themselves representationally express the potential energy of women and endlessly protest for independence of women of every era and culture.Works CitedThe House of Bernarda AlbaA Dolls House