Mislead the officer Essay Example for Free

Mislead the officer EssayHe says this in a tranquillise articulate so not to annoy the officers. The officers dont await an invitation in to the house and with their authority they just smell inside and Eddie says Whats all this? He says this with an astonished look upon his brass up, reservation the arrival of the officers appear to be a complete surprise to him. But unlike the characters in the play, the audience has full knowledge of his deceitful squall call to the Bureau, so it is ironic when he appears to know nothing. The initiatory officer in a demanding voice says Where are they? He says this expecting a straight answer and no messing about.Eddie will now put on a puzzled expression and frown as he says Wheres who? He views out to be broken in and pretends to know nothing about their presence as an attempt to mislead the officer. The officer doesnt accept his everyplace up and tries to reason with him. This shows the audience that the officer is in contro l of the situation and is used to people making attempts to cover up and trick him. The officer now says Come on, come on, where are they? This is said in a calm reasoning voice to try and just quarter an easy answer so they can capture the immigrants hassle-free.Again Eddie with a confused look says Who? We got nobody here. He says this with a uninformed expression and an astonished voice to try and convince the officer that there has been a mistake. In this archetypical section Eddies attitude was ironic as he made out to be bewildered and impress by their visit, entirely he was the i that contacted them about the immigrants in the first place. In the second section, we arse around to agnize Beatrices reaction to his deviousness, as she immediately knows that it was Eddies doing when the officers turn up.Eddie regards at Beatrice and she quickly turns her head away to make out she is tempered towards Eddie and he confronts her straight away Whats the matter with you? He says this with a raised footfall of voice to sound annoyed as shes accused him for the officers. Even though she only gave him one glance and angrily turned her head away, I indispensability the audience to sense her suspicion and accusation, of him calling the Bureau. The officers cut through to search the building and one approaches Eddie and asks if he has the correct room number, Eddie replies with Thats right.I indigence him to say this in a shaky voice so the audience can sense that he is beginning to fail and he is businessful of the consequences of his actions. He then stares at Beatrice and I deficiency the expression on his face to say everything. He will put on an expression, which will suggest that hes just been hit by reality, and realises the terrible situation he has got everyone in to. Eddies fearful look at Beatrice will give her shape of his deceitfulness. But there is still the question of why he is worried? Is it to maintain his reputation in the street or the position that he has landed Marco and Rodolpho in trouble?Maybe Both? The fact that he carries on to deny that it was him that made the phone call suggests that its to maintain his reputation. When Beatrice accuses him I want him to get frustrated to cover up for his actions. After Eddies fearful glance at Beatrice, she too is struck with fear and this is made clear by the stage directions weakened with fear She goes on to say Oh Jesus, Eddie. She says this in total disbelief and she puts her turn over on her face. This will propound the audience that she cannot bear to know what her own husband has done.Eddie continues to protest his innocence and Beatrices final action is to turn towards him, instead of running. This shows the audience that even in crisis she will not relinquish her husband. Her final haggle to him are My God, what did you do? I want her to say this with lots of fear and individual retirement account at Eddies actions. However the fact that she did nt run from him doesnt take anything away from the shock and horror she is experiencing at the actualisation of what he has done. In the third section, Catherine and Beatrice make a last effort to save Marco and Rodolpho and fight with the officers.However, the officers are immune to the pleas of Catherine and Beatrice for mercy and do not express an opinion or concern. I want Catherine to calculate desperate and more aggressive when attempting to persuade the officers and I want her to be more frustrated and argumentative. The first stage direction says Catherine backing down the stairs fighting with the first officer. The audience can immediately tell that she is taking a more aggressive approach. She then shouts What do yiz want from them? I want her words to have aggression in so they know that she isnt going to back down.She then says They aint no submarines, he was born in Philadelphia. I want the audience to see her determination to save Rodolpho and her sheer foiling a t what is happening. On the other hand, I want Beatrice to be seen by the audience to be taking a calmer and more diplomatic approach. She tries to reason with the officer Ah, Mister, what do you want from them, who do they hurt? I want Beatrice to say this in a calm, less-threatening voice, so not aggravate them. The officer takes little describe of Catherine or Beatrice and merely just says to Catherine Step aside, lady. I want him to say this in a calm, but firm voice to show the audience that he doesnt want any trouble and remains in control of the situation. I want Catherine to now appear upset and infuriated. I will do this by using her body language and tone of voice. I want her to speak in a sooner angry and distressed voice You cant just come in the house and- I want her body to be blocking the officers from getting past. I also want her to really speak face to face with the officers, to look like she is trying to intimidate them. She becomes increasingly upset as her cam paign doesnt search to be working and she screams No, you cantNow, get outa here I want this shout of hers to turn in to an upset scream as she realises that she cant save Rodolpho. The men proceed to take away the immigrants and Beatrice confronts them one more time. Instead of an aggressive approach like Catherine, I want the audience to see how Beatrice stays calm in the chaotic situation. Beatrice makes an emotional appealingness about what drove the immigrants to leave their own awkward what do you want from them? Theyre starvin over there, what do you want? I want her to say this in a persuasive voice to try and play on their consciences, but the officers just walk off.I want them to just ignore her to suggest to the audience that they are not affected by her emotional appeal and are immune to her pleading. From this section, the audience gets to see the aggressive and frustrated Catherine character that I wanted them to see and the calm Beatrice. The audience also gets to see the very calm and dominant officers who always stay in control of the melodramatic situation and do not show concern or opinion to the pleas and appeals of Catherine and Beatrice. In this next section Marco performs the malicious act of spitting in Eddies face, which results in Eddie becoming extremely untrained and mad at him.This is where I get to reveal the ruthless and unpleasant side of Eddie, which I want the audience to see. It starts when Marco breaks from the group while being escorted out by the officers and spits in Eddies face. This is a powerful dramatic moment in the play and is conveyed by actions, rather than words. I want the act of spitting in his face to not only show Marcos contempt for Eddie, but also contempt for Eddies breaking of the loving code. By informing the immigration bureau a social taboo has been broken and the act of spitting in his face tells the audience Marcos identification of the culprit.